A concept driven serif font family of 5 weights. It is a contemporary take on the humanist serif with a touch of rationality and frivolity. Tautz began its life as a research into collective British Style & Heritage, as the pursuit of capturing “Britishness” without falling into the trap of stereotyping. Tautz is a personal reflection of Mariya V. Pigoulevskaya, resulting in a functional & characterful font family. Tautz features lowered x-height with an intention to create tension and resistance on the page or screen for that matter. This counteracts the geometric approach to the glyph construction and the sharpness of serif details. Resulting in a unique typeface that is suitable for text & display. Details include 5 weights, over 470 characters including Cyrillic, ligatures, manually edited kerning and Opentype features.
OTF | 5 Fonts | JPEG Preview | 4.4 Mb RAR
A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.
OTF | 18 Fonts | JPEG Preview | 5.8 Mb RAR
Dobra is a very geometric and robust typeface with Sans and Slab Serif companions, specially suited for magazines and newspapers, although it works great as a corporate typeface. With five weights ranging from Light to Black with matching italic, available in both styles this highly readable typeface is full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others.
TTF | 10 Fonts | JPEG Preview | 4.5 Mb RAR
Forged from geometric and technical styles, Industry stands sturdy and strong. The sans serif family now includes seven weights with corresponding italics. The typeface is meant to be a workhorse that can span from a refined vintage feel to an industrial futuristic vibe. Use it for headlines, display, and logotype, or take it for a spin with short-form body copy. The high x-height and mechanical nature help retain legibility at smaller sizes. Numerous OpenType features have also been included to suit different design needs. Features include: Tabular figures, fractions, subscripts, superscripts, numerators, and denominators.
OTF | 12 Fonts | JPEG Preview | 4.1 Mb RAR
Radikal is a geometric font dedicated to the research of purity. The Radikal family includes 7 weights, from UltraThin to Black, with their corresponding italics. Each font includes OpenType Features such as Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and ligatures. The fonts have extended characters set to support Central, Eastern and Western European languages. Radikal is perfectly suitable for headlines, the range of styles provides flexibility for text and title.
OTF | 14 Fonts | JPEG Preview | 8.5 Mb RAR
Korataki is a tribute to the 1970s futuristic classic, China (also known as Chimes). While font psychologists were still trying to figure out the effect of wide linear type on the human mind, engineers at Typodermic went ahead with plans for a gutsy 7 weight successor to Neuropol. Korataki’s simple design appeals directly to the imagination. Free of all self-consciousness, it transfers messages invisibly without a trace of manipulation. Readers are left aware of only a bright future stretching out ahead of them. Alternates are included for A, G, Q and 4.
OTF | 14 Fonts | JPEG Preview | 4.3 Mb RAR
Graduate Script is a contemporary calligraphic script. With over 825 glyphs Graduate Script can be dressed up or down, to enliven its style. You can add curls to beginning and end of any lowercase letter, or even in between them. Alternates for both upper and lowercase, as well as ligatures for double letters are included too. OpenType features such as five numeral styles, fractions and both standard and discretionary ligatures, make Graduate Script a well equipped font. Graduate Ornaments has over 300 glyphs and expands the design possibilities of Graduate Script even further. It offers additional ornaments and curls to add to lowercase letters, frames, automated borders that can be accessed by the keyboard and a lot more fun glyphs to work with. On top of that there are catchwords in different styles. Not finding the catchword you’re looking for? Just create your own! A full set of capitals, including roman accented caps, currency, numerals and punctuation is part of Graduate Ornaments. Designed to fit the same frames that are being used for the different catchword-styles, so you can easily integrate custom text with the existing catchwords. A detailed user guide is available in the gallery section.
OTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
Dala Floda has its roots in the typefaces of the Renaissance but adds the twist of being a stencil letterform. Originally inspired by worn gravestone lettering and lettering on shipping crates, the elegance of the forms belies their everyday origins. First designed in 1997 for a logo, Dala Floda eventually became the headline typeface for the art magazine frieze in 2005. Since then the family has grown considerably, with the addition of an italic and a range of heavier weights, all the way up to a Fat. Its stencil form makes it very distinctive for headline use and especially well suited for logotypes.
OTF | 12 Fonts | JPEG Preview | 14.8 Mb RAR
Ode is a vibrant family in five weights with a strong personality. And it makes me think of food — something that I actually do quite a lot. No Nouvelle Cuisine here but rustic fare, dishes served in bowls and plates with a thick rim, lots of herbs and a wooden board with freshly sliced bread. All that accompanied by a simple vino tavola, a Montepulciano d'Abruzzo maybe. Enjoy your meal!
OTF | 5 Fonts | JPEG Preview | 1.2 Mb RAR
Novel Pro is the humanist Antiqua typeface family within the largely extended award winning Novel Collection, also containing Novel Sans Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Classic proportions of a Renaissance Antiqua combined with modern details let Novel appear as a friendly and elegant but functional typeface.
OTF | 12 Fonts | JPEG Previe | 4.9 Mb RAR
Epigraph is a font which has role models in the lapidary letter. The glyphs doesn't have serifs, but it has humanistic qualities and the nucleus of a serif. The differences between thick and thin stokes are small, and the font design is unobtrusive and graceful with traditional proportions. Epigraph has satisfactory readibility, it is suitable for the text and brochures headlines, catalogues, books and other typographic demands with historical, archeological and artistic content, as well as other etiquette. Character map contains all Latin glyphs of European languages and Cyrillic. Besides its regular version it has Italic, Bold, BoldItalic and SmallCaps.
OTF | 5 Fonts | JPEG Preview | 4.2 Mb RAR
Geogrotesque Stencil is the newest member of the popular Geogrotesque family, it has been thought as a display typeface, but it goes one step further and tries to solve some of the typical problems of stencils fonts. Most stencil fonts don't have a wide range of weights, Geogrotesque Stencil has a range of 7 weights. Another characteristic of this type of fonts is that the cut usually does not adapt well to the size or the use of different materials, generally it has a wide cut that works well in small sizes but in larger sizes is not very elegant, on the other hand a thin cut does not work in small sizes and affects the reading. Geogrotesque Stencil tries to solve these problems with 3 levels of cut (A, B and C). The thin cut (version A) matches the stem width of the Thin weight, in version B is twice as wide and in the version C is three times more wide. The cut maintains the same width through all weights and are not rounded, also other details have been modified for this stencil version, such as the “notch” of the n, a, b, d, p and q, or k where the horizontal arm disappears, these adjustments allow a better functionality of the typeface. The cuts not only allow a better performance when printing at different sizes, but also allow you to use the version A, B or C in accordance to the rigidity of the material you have, for rigid materials use the version A where the cut is more thin and passes unnoticed, while for lighter materials you can use the version C where cuts are wider and help keeping the material more stable. The type family consists of 21 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) available in 3 versions (A, B and C) in Open Type format with support for Central and Eastern European languages.
OTF | 21 Fonts | JPEG Preview | 4.8 Mb RAR
Eduardo Danilo’s dramatic redesign of El Universal, a leading Mexico City daily, introduced Cyrus Highsmith’s Zocalo. The original text, and display series was tuned for distinct character frequency and repetition when set in Spanish. Nicholas Kis’s oldstyle and Chauncey Griffith’s classic newsface Ionic No. 5 inspired the sturdy text while the “energetic character of Mexico City” influenced the display. Zocalo Display has sharp, slightly bracketed & tapered serifs, plus a higher contrast between thick and thin strokes, giving it great elegance and sparkle. Its crisp and energetic details shine forth in headlines and titles. In medium sizes, Display lends a vibrant panache to callouts and pull-quotes.
OTF | 8 Fonts | JPEG Preview | 5 Mb RAR
Dulcinea is the title of Ramiro Espinoza’s in-depth look at Spanish Baroque calligraphy’s most extreme tendencies, and especially at some of those produced by the writing masters Pedro Díaz Morante and Juan Claudio Aznar de Polanco.
OTF | 1 Font | JPEG Preview | 5.1 Mb RAR
OTF | TTF | 1 MB
Zekton was inspired by the futuristic fonts found on electronic gadgetry. Zekton imparts a serious, high-tech look by its rounded curves and even line widths.
Where classic serif faces are urbane and well-mannered, Turnip is coarse and down-to-earth — the kind of type that feels completely at home with salty language. David Jonathan Ross crafted an energetic tension between Turnip’s inner and outer shapes to give it vigor, while strong strokes and sturdy serifs yield dense paragraphs with a horizontal emphasis. This ain’t your grandpa’s book face, but it reads just as well!
OTF | 12 Fonts | JPEG Preview | 5.3 Mb RAR
Lith is a hand-drawn headline typeface inspired by Alice In Wonderland and the Brothers Grimm fairy tales. “Flawed” comes with a lot of alternate letters, ligatures, beginnings. “Mad” contains icons with catch-words, card- & chess symbols and other gimmicks.
TTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
Rough Yapa is created from Yapa. Its contours are rougher. It is based on Roman proportions, but is accompanied by swashes and decorative ornaments. Having capital letters with swashes, in the same font is the normal variable.
OTF | 2 Fonts | JPEG Preview | 11.2 Mb RAR